{"id":66,"date":"2022-12-20T11:15:34","date_gmt":"2022-12-20T11:15:34","guid":{"rendered":"http:\/\/brandonliew.com\/?page_id=66"},"modified":"2025-08-21T08:52:49","modified_gmt":"2025-08-21T08:52:49","slug":"doctoral-researcher","status":"publish","type":"page","link":"https:\/\/brandonliew.com\/index.php\/doctoral-researcher\/","title":{"rendered":"<strong>doctoral researcher<\/strong>"},"content":{"rendered":"\n<pre class=\"wp-block-verse has-large-font-size\"><strong>What is a&nbsp;\nGlobal Malaysian Novel?<\/strong>\n<\/pre>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"http:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1602206803638_edited.jpg\" alt=\"\" class=\"wp-image-75 size-full\" srcset=\"https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1602206803638_edited.jpg 960w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1602206803638_edited-300x225.jpg 300w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1602206803638_edited-768x576.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<pre class=\"wp-block-verse has-tiny-font-size\">When a Malaysian novel is written, published, distributed and sold outside Malaysian borders, to what extent is it still a Malaysian novel?\n\nMy doctoral dissertation explores contemporary transnational cultural productions in Southeast Asia in relation to both local literary histories and wider Western-based frameworks such as World and Postcolonial Literature. I chart the history of Malaysian literary discourse over three centuries in order to make sense of the contemporary.\n\nThis project is supported by the School of Culture &amp; Communication at the University of Melbourne. It is funded by the Australian Department of Education Research and Training Programme (RTP).<\/pre>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-default\"\/>\n\n\n\n<pre class=\"wp-block-verse has-large-font-size\"><strong>\u200b<\/strong>\n<strong>Peer-reviewed Publications<\/strong>\n<\/pre>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"1024\" src=\"https:\/\/brandonliew.com\/wp-content\/uploads\/2025\/08\/IntheMirrorcvr_choosenpg3_1024x1024-1.webp\" alt=\"\" class=\"wp-image-170 size-full\" srcset=\"https:\/\/brandonliew.com\/wp-content\/uploads\/2025\/08\/IntheMirrorcvr_choosenpg3_1024x1024-1.webp 680w, https:\/\/brandonliew.com\/wp-content\/uploads\/2025\/08\/IntheMirrorcvr_choosenpg3_1024x1024-1-199x300.webp 199w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<pre class=\"wp-block-verse has-tiny-font-size\">August 2025<br>Liew, Brandon K. and Daryl Lim Wei Jie. \"Critical Introduction.\" <em>In the Mirror<\/em>: <em>New and Selected Poems of Wong Phui Nam,<\/em> edited by Brandon K. Liew and Daryl Lim Wei Jie, National University of Singapore Press, 2025. <br><br>'Memory of Khorason', 2005, by Latiff Mohidin. Used as book cover with permissions.<br><br><\/pre>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" src=\"http:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-765x1024.png\" alt=\"\" class=\"wp-image-78 size-full\" srcset=\"https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-765x1024.png 765w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-224x300.png 224w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-768x1028.png 768w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-1147x1536.png 1147w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US-1530x2048.png 1530w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/cover_issue_37_en_US.png 1718w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<pre class=\"wp-block-verse has-tiny-font-size\">Liew, Brandon K. 2021. \u201cThe Unquiet Dreams of Lesser Malaysian Writers: Tradition and the Global Malaysian Novel\u201d.&nbsp;Archiv orient\u00e1ln\u00ed&nbsp;89 (2), 283-310. https:\/\/doi.org\/10.47979\/aror.j.89.2.283-310. \u200b <br><br>Cited by Theo D'haen in <em>A History of World Literature<\/em> published by Routledge.<br>29 May 2024<br>DOI: 10.4324\/9781003366713<br>ISBN: 9781003366713<br><br>Cited by&nbsp;Kuei-fen Chiu &amp; T\u00e1\u0148a Dluho\u0161ov\u00e1 <br>14 October 2021 <br>DOI: 10.47979\/aror.j.89.2.223-236 \u200b <br><br>\"Brandon Liew, in his essay \u201cThe Unquiet Dreams of Lesser Malaysian Writers: Tradition and the Global Malaysian Novel,\u201d introduces another perspective which is crucial for discussion of Asian literatures and cultures, namely postcolonial discourse. The article addresses the complexity of this question within the context of multilingual and multicultural Malaysia. Some of the most prominent transnational Malaysian writers, such as Tash Aw and Tan Twan Eng, use English for their literary production. Others such as Lee Yungping, Ng Kim Chew, and Chang Kuei-hsing, use Chinese. Any discussion of the success stories of these writers in the English or Chinese\/Sinophone worlds would benefit from consideration of the uncongenial publishing environment for minority writers like them in a country where national literature is defined as literature in Malay. How can we study the global Malaysian novel as world literature without overlooking its relationship to the threefold entanglement of&nbsp;tradition, nation, and language? Liew\u2019s article reveals the intricate tension between national literature and world literature.\"<\/pre>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"930\" height=\"500\" src=\"http:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1628222591938.jpg\" alt=\"\" class=\"wp-image-79 size-full\" srcset=\"https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1628222591938.jpg 930w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1628222591938-300x161.jpg 300w, https:\/\/brandonliew.com\/wp-content\/uploads\/2022\/12\/1628222591938-768x413.jpg 768w\" sizes=\"auto, (max-width: 930px) 100vw, 930px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<pre class=\"wp-block-verse has-tiny-font-size\">Liew, Brandon K. \u201cEngmalchin and the Plural Imaginings of Malaysia; or, the \u2019Arty-Crafty Dodgers of Reality.\u201d Exclamat!On: An Interdisciplinary Journal 2 (June 2018): 94\u2013120.\n\u200b\nCited by Poetry.sg\n11&nbsp;June 2021\nCritical Introduction of Wang Gungwu\nWritten by&nbsp;Jonathan Chan\nhttp:\/\/www.poetry.sg\/wang-gungwu-intro\n\n<\/pre>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-default\"\/>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<pre class=\"wp-block-verse has-tiny-font-size\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Academic Publications<\/mark><br><\/strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\"><sup>2025<\/sup><\/mark><br><em>In the Mirror<\/em>: <em>New and Selected Poems of Wong Phui Nam,<\/em> edited by Brandon K. Liew and Daryl Lim Wei Jie, NUS Press<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\"><br><\/mark><sub>2021<\/sub><br><strong>Archiv Orientalni: Journal of African &amp; Asian Studies<\/strong><br>\"The Unquiet Dreams of Lesser Writers: Tradition and the Global Malaysian Novel\"<br>Vol 89<br>pgs\u00a035-61<br><br><sub>2018<\/sub><br><strong>Exclamat!On: An Interdisciplinary Journal<\/strong><br>\"Engmalchin; or, the 'Arty-Crafty Dodgers of Reality'\"<br>Vol 1<br>pgs 94-120<br><br><strong>Public Affiliations<br><\/strong>\u200b<br>Persatuan Penulis Malaysia (Malaysian Writers Society)<br><br>Asian Art Dialogue (AAD)<br><br>Melbourne-Monash Asian Studies Group (MMASG)<br><br>Culture &amp; Communications Graduate Committee (CCGC)<br><br>Asian Studies Association Australia (ASAA)<br><br>Malaysia &amp; Singapore Society of Australia (MASSA)<br><br>Modern Language Association (MLA)<br><br>American Comparative Literature Society (ACLA)<br><br><br><br>\u200b<br><br><br>\u200b<br><br>\u200b<br><br><\/pre>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<pre class=\"wp-block-verse has-tiny-font-size\"><strong>Conference Papers<\/strong><br><sup>2025<\/sup><br><strong>Lloyd Fernando Seminar Series, Universiti Malaya<\/strong><br>\"Reading <em>Cultures in Conflict\"<\/em><br>Malaysia<br><br><sub>2024<br><\/sub><strong>International Convention of Asia Scholars (ICAS)<\/strong><br>\"Working along the archival grain: Building, preserving and sharing independent art archives and cultural material in Indonesia, Malaysia and Australia.\"<br>Surabaya<br><br><sub>2023<\/sub><br><strong>Modern Language Association (MLA)<\/strong><br>\"Global Markets, Local Stories: A history of Malayan literature as a literature of Malayan history\"<br>San Francisco<br><br><sub>2022<\/sub><br><strong>American Comparative Literature Association<\/strong><br>\"A Sundaland of Publishing: Malaysian Literature as Global Literature\"<br>National Taiwan Normal University<br><br><sub>2021<\/sub><br><strong>Texts &amp; their limits: Australian Triennial Literary Studies Convention<\/strong><br>\"Malaysian Literature in the context of a National Tradition\"<br>Victoria University<br><br><strong>English &amp; Theatre Seminar Series<\/strong><br>\"Malaysian Literary History through T.S. Eliot\"<br>University of Melbourne<br><br><sub>2020<\/sub><br><br><strong>Asia at the Crossroads: Ruptures and Hopes<\/strong><br>\u201cThe Unquiet Dreams of Lesser Malaysian Writers\"<br>Melbourne-Monash Asian Studies Group<br><br><strong>21st Malaysia and Singapore Society of Australia (MASSA) Symposium\u00a0<\/strong><br>\u201cThe Cosmopolitan\u00a0Imaginings of Malaya\u201d<br>Malaysia and Singapore Studies Society<br><br><strong><sub>2019<\/sub><\/strong><br><strong>Annual Research Conference<\/strong><br>\u201cThe Death of Malaysian Literature in English\u201d\u00a0<br>University of Exeter<br><br><\/pre>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<pre class=\"wp-block-verse has-tiny-font-size\"><strong>Scholarly Dissertations<br><\/strong>\u200b<br><strong>PhD <\/strong><br>The Global Malaysian Novel<br>The University of Melbourne<br><br><strong>Masters <br><\/strong>Malaysian Novels in English:<br>Criticism, Context, Conceptualisation<br>The University of Exeter<br><br><br><br><\/pre>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>What is a&nbsp; Global Malaysian Novel? When a Malaysian novel is written, published, distributed and sold outside Malaysian borders, to what extent is it still a Malaysian novel? My doctoral dissertation explores contemporary transnational cultural productions in Southeast Asia in relation to both local literary histories and wider Western-based frameworks such as World and Postcolonial [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"footnotes":""},"class_list":["post-66","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/pages\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":19,"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/pages\/66\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/pages\/66\/revisions\/173"}],"wp:attachment":[{"href":"https:\/\/brandonliew.com\/index.php\/wp-json\/wp\/v2\/media?parent=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}